Film, 35mm, 14 Min,
Comon sava könnte als eine morphologische Konstruktion betrachtet werden ñ vorausgesetzt, dass ein Kunstwerk mehrere Interpretationen bieten darf. Eine Frau ist auf der Suche. Dabei trifft sie fünfmal ein und denselben Mann, der aber jedes Mal in unterschiedlichen Rollen auftritt. Die geistigen Zustände der Frau finden in diesen Begegnungen ihren Ausdruck. Dramaturgisch betrachtet mag die humorvoll erzählte Handlung in ihrer Vieldeutigkeit absurd scheinen, doch setzt sie sich parallel zu ihrem narrativen Aspekt auch mit dem Medium Film auseinander, gestützt auf eine Adaption des Theaterstückes «Der Schalter» von Jean Tardieu.
Comon Sava was born of a fascination for the idea making a film. A film who can help me in understanding this very popular way of captivity. I was not interest to tell a story but I realize that could be helpful for my purpose. My attempt was to defragment a film to can see all the parts are made it. As a narrative support, I make a adaptation from the absurd theater pice: "The Counter" by Jean Tardieu. I try to give the story a filmic structure extending the action field. The initial show based completely on a dialogue between two persons: a traveler and a booking clerk.I also add more persons, without to change the original (meaning) idea of the author. And because this theater pice has also a very strong existentialistic connotation I was also interesting to see the consequences of using a female in the Rolle of an existentialistic character. In this order I agree with Rudoplph Arnheim, when he talk about the literature and film. A good literal work itοΏ½s not a guaranty for a good film As example he give the film "The Passion of Joan of Arc" directed by Carl Theodor Dreyer. The adaptation is failed, the lack of action is could not be compensate by using of meaningless perspectives. The book based mostly of Dialogue and there is a silent film?
